That Drifting Poo Was Way Too Meaningful! It's the Television Letdowns of the Year.

Looking back, we consider the television landscape of the recent year, a selection of shows emerge not for their brilliance, but for their notable failures. Ranging from cringe-inducing sequels to confusingly poor docuseries, here are the productions that left us utterly bewildered or simply reaching for the remote.

And Just Like That

How to start with this divisive follow-up? Burdened with woeful writing, painful arcs (justice for Miranda!), and a mere 71 seconds of beloved Samantha, the show struggled to justify its existence. For a moment, as the final series started, it seemed as if it had at last hit its stride. Then arrived an episode centered on Seema’s natural deodorant. Little surprise the creator declared this would be the last series. It concluded on a low point; the lingering shot of Miranda’s toilet full of poo was just way too symbolic. Yet, viewers certainly found joy dissecting every single “wtf?” episode. And as Carrie – a single woman once more – danced around her palatial townhouse to Barry White, who didn’t release a little sob?

The Kim Kardashian Drama

‘Can Kim Kardashian act? Of course she can’t.’

But that was practically the least of this drama's issues. The recipient of a very rare zero star review, it was hard to know where to begin enumerating the problems. The laughably leaden dialogue? The tedious veneration of wealth and consumption? The almost deliberate parade of cliches? Acting so poor they felt almost spiteful? Suffice it to say “each and every one” and never speak of this series again. However, a new season has been ordered, so we’re likely going to have to.

AKA Charlie Sheen

Considering the restraining orders, domestic violence claims and parental shortcomings, it’s fair to say Charlie Sheen has been a bad boy. Not you’d really have known it from this multi-part docuseries which chuckled along at Sheen’s various bouts of reckless hedonism while failing to tell us a single thing we weren't already aware of. Instead, it felt as if this loose cannon was being pandered to, so any pity this show might induce should be saved for the people who have had to endure proximity with this charismatic but flippant egotist.

The Iris Affair

Naturally we knew it was ridiculous from the get-go: a drama about a supercomputer known as Charlie Big Potatoes that could either solve global crises – or annihilate all of humanity. We persevered out of pure love for its leads … but by the end, it felt like even they had stopped bothering. One scarcely cared when his character died, and the other ultimately hacking Charlie with an axe … in painfully slow-motion. That's what you call admitting defeat.

MobLand

Dodgy characters convening in deserted boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and wants its crime drama back.

Actually, that is harsh on the gangland dramas of the late 90s. Many seem a little old-fashioned now, but at least they didn’t suffer the embarrassment of having to accommodate baffling dialects. But there were many other issues. Mainly that it was just profoundly boring; a conflict over drug-selling territory between various London rogues which felt rather simplistic.

With Love, Meghan

Considering the degree to which she grinds the gears of the nation’s ostentatiously angry commentators, it’s temptingly easy to admire the Duchess of Sussex’s televised ventures into quaint lifestyle as deliberate statements. But then you view them and are compelled to concede that actually, they may have a point. It’s like watching a lifestyle catalogue come to life; a poster for wine o’clock with ideas of grandeur; a procession of snoozing dogs, buzzing beehives, sentimental sayings and forgettable crafting “hacks” you’ll not remember instantly. All underpinned by vast, mostly unearned wealth. Ugh.

Victoria Beckham

There are clearly interesting things to be said about both Victoria Beckham and her journey with vocation, self-image, self-acceptance. But for some reason, this documentary series chose not to explore them. Rather, the experience was like consuming a sales catalogue. She clearly has good reason to resent what she describes as her “stern” image. But unfortunately, she failed to do herself any favours with this guarded letdown of a series.

The Inheritance

It should have been the next cultural phenomenon – except even more extravagant, with a famous star as a deceased benefactor and a well-known personality overseeing her estate. What more could you ask for? As players competed, there was plenty of betrayal and squabbling. But the rules quickly became bewildering: it’s still too complicated to detail what exactly was happening. Even more disappointingly, we only saw brief appearances of the star via prerecorded videos. The show ended up smelling of a programme that was trying way too hard to live up to something way beyond it.

Too Much

How does one follow a show that captured a generation? The expectation was enormous for this glitzy romantic comedy about Jessica, a hopeful New Yorker who arrives in London with a shattered romance. The lead actress seized the opportunity by the horns and was joyous to watch, reveling in Jane Austen levels of romantic notions. But it was all very slick and, ironically, was not enough. Plus, the sheer amount of famous cameos involved felt uncomfortable.

Mitchell & Webb Are Not Helping

Not even good enough to be ‘patchy’.

Given the shrewd inclusion of gifted younger comics, hopes were high. But sadly, most of it fell flat. A particular sketch was a single joke milked to a husk but repeated in every episode. One star seemed too willing to slip into a well-known ranting mode. The writing room sketches, meanwhile, simply inspired the idea that they should probably have stayed in there a while longer.

The Knox Dramatisation

This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely presented the perspective of Amanda Knox. So, while there undoubtedly is an interesting drama to be made about the tragic 2007 murder, this was not it. The subject matter needed to be handled with care. Rather, the series struggled painfully to find the right tone, lumbering from strangely breezy, slightly stylised farce to ultimately, real-life horror. Complex? Arguably. A total mess? Very much so.

Prime Target

We admire the lead actor … but did we believe him playing the greatest maths genius in history, a man so intelligent he’s on the verge of a discovery that could ruin society? Nope! This international thriller about secret services targeting – and killing off – intellectuals honestly got more absurd by the second. Silliness-by-numbers.

The Bonnie Blue Documentary

This uncritical portrait followed the online personality renowned for sexual escapades as she prepared for her biggest challenge yet. What on earth would possess her? What we wanted was far greater interrogation of her actual psyche, plus those of the men in the line. They could at least have spoken to the now-famous mum who appeared to haul her son out of the queue. What we got was horrific shots and zero interrogation of her notoriety whatsoever. It's staggering to consider, the filmmaker has a teenage daughter too.

Jonathan Miles
Jonathan Miles

A seasoned journalist with a passion for uncovering stories at the intersection of technology and society.